Analysis of three medieval artistic expressions of the biblical Parable of the Wise and Foolish Virgins (Mt 25, 1-13): the frescoes the southern apse from Pedret (12^th century) and the sculptures of the cathedrals of Freiburg (c.1300) and Strasbourg (c.1280-1300).

To reform the Abbey with a New Aesthetic (later to be known as Gothic), Suger used art to convey his interpretation of Christian theology, and so materialize, artistically, tangible means by which one could ascend from the material to the immaterial.

Iconographic study of the Gothic frontal by Master of Soriguerola.