Amor e Crime, Castigo e Redenção na Glória da Cruzada de Reconquista
Afonso VIII de Castela nas batalhas de Alarcos (1195) e Las Navas de Tolosa (1212)
Narrative of two important battles of Alfonso VIII of Castile.
Os Epistolários Medievais como espaço narrativo fundante
O universo do eu amoroso nas cartas de Bernardo de Claraval
Analysis of St. Bernard's letters to show that medieval literary correspondence was the principal founder of interior spaces, in which the psyche was revealed, stated, and consolidated.
El concepto de Naturaleza en la Metafísica Teológica de San Bernardo de Claraval (1090-1153)
Nuestra propuesta es comprender el modo en que Bernardo desarrolló ese concepto en su obra, sus definiciones cristianas más humanísticas, sus nociones metafísicas y sus consideraciones acerca del imperativo que rige la colaboración entre la Naturaleza y la Gracia. Para Bernardo, las facultades de la Naturaleza humana son iguales para todos, pero inútiles sin la Gracia.
Ali haverá pranto e ranger de dentes
O Inferno na Arte e na Filosofia da Idade Média
Iconographic analysis of medieval frescoes about hell with the confrontation of biblical texts, philosophers and writers of the thirteenth century.
A Roda da Fortuna nos Dictats de Ausiàs March (c.1397-1439)
The allegory of the Wheel of Fortune is a recurring theme in medieval thought, particularly in Philosophy and Literature. The notion of fortune was inherited from a double tradition and adapted by Ausiàs March (c.1397-1439) to literary use. We must, therefore, deal with this allegory in the Dictats, by March, and show how the Valencian poet literarily developed the theme of the instability of the Wheel of Fortune in his poems.